Paint Brush Hair Types



A short-haired, synthetic-bristle flat brush will hold less paint than a long-haired, mixed or natural-hair brush. The flat brush in the photo has hog hair, which holds paint well and, being stiff, is ideal for leaving brushmarks in paint should you wish to do so. 08 of 18 Rigger or Liner Brush. The natural hair in natural hair brushes usually comes from Chinese hogs or from. Some other styles of brush include: Sumi: Similar in style to certain watercolor brushes, also with a generally thick wooden or metal handle and a broad soft hair brush that when wetted should form a fine tip.Also spelled Sumi-e (墨絵, Ink wash painting).Hake : An Asian style of brush with a large broad wooden handle and an extremely fine soft hair used in counterpoint to traditional Sumi.

Paint Brush Hair Types

As you likely know, paint brushes come in what seems like an unlimited variety of shapes and sizes, bristle types and price. Knowing the difference between natural and synthetic bristle paint brushes will help you figure out what to choose for your next DIY project.

Natural

As the name suggests, natural bristle paint brushes are made from natural animal hair such as hog, sable and badger.

When to Use Natural Bristle Brushes

Natural bristle brushes are great when you are using:

  • Oil-based paint
  • Varnish
  • Shellac
  • Shellac-based primer
  • Alkyd enamels
  • Stain
  • Polyurethane
  • Chalk-based paint
  • Milk paint
  • Clay-based paint

The Good

Paint Brush Hair Types

These type of bristles actually split naturally which makes them designed to pick up, hold and distribute natural paints and can speed up painting. The soft flexibility of natural bristle brushes help to apply a thin, even layer of paint reducing streaks and distributes paint evenly. When using these brushes with natural paints (chalk/milk/clay-based) there is less chance of streaking than with synthetic brushes.

The Bad

If you are looking for precision painting, natural brushes can be difficult to use.

Natural bristle brushes also shed the first few times you use them. If you have bought a quality natural brush, the bristles should stop shedding after the second or third use.

Synthetic

Synthetic bristles are made from materials like nylon, polyester or a mix of both. Internet explorer for mac books.

When to Use Synthetic Bristle Brushes

Synthetic bristle brushes are great when you are using:

  • Water-based latex paints
  • Water-based primers
  • Gloss Paint
  • Acrylic paint
  • Water-based wood finishes

What Kind Of Hair Is Used In Paint Brushes

The Good

Nylon brushes are durable, excellent paint pickup, and smooth finish.

Polyester brushes maintain their shape and control which is great for detail work.

Nylon/Polyester blend brushes combine all the positive qualities and is the most popular choice.

The smooth texture and springiness of the bristles make for an even finish aand great for woodwork and furniture in water based satin,eggshell and gloss finishes.

Modern synthetic brushes are excellent and have the advantage of being cheaper than natural hair.

Paint Brush Sizes

The Bad

Nylon brushes soften in hot weather or after a lot of use with latex paint. Brushes can lose the ability to create a smooth, precise finish.

Polyester brushes have a lower paint pick up which means you will need to reload your brush more often.

Paint with fast-drying ingredients (majority on the market right now) will stick to polyester making them harder to clean. If you look after these brushes, they’ll last for years.

What happens if you use the “wrong” bristled brush with the recommended paint?

If you try to apply latex paint with a natural-bristle brush, the bristles will absorb the water from the paint and become extremely limp, making it difficult to spread the paint smoothly.

If you try to apply chalk/clay-based paint etc. with a synthetic brush, you will likely have a lot of brushmarks and have a lot of extra work getting a smooth finish.

Not sure what size of brush to use either?

The size of the brush to use will really depend on the type of project you are tackling. Here is a short guide to help you get started. Don’t forget to read the packaging on each brush. Many manufacturers list the recommended use for their brushes.

4″ – 6″ This size would be great for painting large flat areas. I have one this size but have yet to use it!

2″ – 3″ The size I use the most! Great size for painting all types of smaller flat surfaces.

1″ – 1.5″ Perfect for more detailed smaller projects. Great for trim work on doors & walls too.

0.5” I have a ton of these small brushes for all my “crafty” projects.

Shapes

The shape of the brush can affect how easily you will be able to paint your project. A brush with a squared-off end works well for flat surfaces because it will hold plenty of paint and spread evenly. Angled brushes are for precise work on trim and corners because they allow for more control and a straighter line.

Do your really get what you pay for with a paintbrush?

As a general rule, you do get what you pay for with paintbrushes. Although I have a lot of inexpensive brushes in my workshop, I have found that I keep going back to the more expensive brush. I am currently using a Cling-On brush, which I paid $30 CND, and LOVE it because of the smooth finish I achieve.

Quality brands to check out:

Brush
  • Cling-On! – synthetic bristle brushes
  • Zibra – synthetic bristle brushes
  • Purdy – offers both synthetic and natural bristle brushes
  • Wooster – offers both synthetic and natural brushes
  • Staalmeester – synthetic / natural bristle blend
Paint brush hair types designs

Don’t forget about Prep Work!

Even the perfect paint brush isn’t a guarantee for a smooth, flawless finish. If you haven’t prep your surface properly, you will be disappointed with the final product. Do you need a refresher on what steps to take for proper prep work? Check out the blog post I wrote 7 Steps To Prep Furniture .

Brush Hair Types

These free charts describe the different brush shapes and hair types, and Blick's system of standard brush sizing and measurement.


DESCRIPTION AND USAGE

For blending oil paint on canvas, Badger Hair is an age-old tradtion. It comes from various parts of the world and is more readily available than most animal hair, although the quality varies greatly. Badger hair is thickest at the point, and relatively thin at the root, so it has a distinctive 'bushy' appearance.

MEDIA

oil

DESCRIPTION AND USAGE

Camel Hair does not come from camels at all. It is found in watercolor and lettering brushes and usually is made of squirrel, goat, ox, pony or a blend of several hairs, depending on the desired softness and intended cost of the brush.

MEDIA

Office for mac not working. lettering
tempera
watercolor

DESCRIPTION AND USAGE

Hog Bristle is obtained from hogs in several parts of the world, the most sought after coming from China. Bristle is unlike any other natural filler in that it forms a V-shaped split or 'flag' at the tip and tends to have a natural curve. A brush with 'interlocked' bristles, with the curves formed inward to the ferrule, has a natural resistance to fraying and spreads medium to thick paints smoothly and evenly. A selection of pure hog bristle brushes is recommended for oil and acrylic painting, and is a far less expensive alternative to good-quality softer hairs.

MEDIA

acrylic
oil

DESCRIPTION AND USAGE

Kevrin/Mongoose Hair is strong, resilient, and makes a good long-wearing, medium to professional quality brush for oil and acrylic painting.

MEDIA

acrylic
oil

DESCRIPTION AND USAGE

Kolinsky Sable is not really from a sable at all, but comes from the tail of a species of mink that is a member of the weasel family found in Siberia and northeastern China. It is generally conceded to be the best material for oil and watercolor brushes due to its strength, spring and ability to retain its shape ('snap'). It holds a very fine point or edge. This is considered a professional grade of hair, and if properly cared for, Kolinsky will last for many years.

MEDIA

oil
watercolor

DESCRIPTION AND USAGE

The best quality comes from the ears of cattle or oxen. The Ox Hair has a very strong body with silken texture, is very resilient, has good 'snap', but lacks a fine tip. Therefore, it is most useful in medium gradewash brushes, or flat shaped brushes. Frequently, ox hair is blended with other natural hair to increase the resiliency of a brush.

MEDIA

lettering
watercolor

DESCRIPTION AND USAGE

Pony Hair is soft but strong, from mature animals at least 2 years of age. It is primarily used for scholastic grade brushes, but often blended with other hairs for inexpensive watercolor and touch-up brushes.

MEDIA

acrylic
scholastic
tempera
watercolor

DESCRIPTION AND USAGE

Red Sable is obtained from any member of the weasel family with 'red' hair, not at all from the animal known as the sable. It is found in a variety of brush styles for many varied mediums, with quality and characteristics varying greatly. A good quality pure Red Sable is a good alternative to the more expensive Kolinsky, with similar performance and durability. Often, weasel hair is blended with ox hair to make a more economical brush, but the fine point is sacrificed.

MEDIA

oil
watercolor

DESCRIPTION AND USAGE

Sabeline is actually select, light-colored ox hair dyed to resembled red sable. Lettering and watercolor brushes often use Sabeline mixed with Sable to lower the cost of a brush.

MEDIA

lettering
watercolor

DESCRIPTION AND USAGE

Gray Squirrel (Talayoutky), most highly in demand for lettering brushes and quills, is native to Russia and nearly always fell in short supply. Brown squirrel (Kazan) is more readily available, and is used mainly for medium quality and scholastic watercolor brushes. A very fine, thin hair, taken from squirrel tails, it points as well as Kolinsky, but has very little 'snap' because the hair is not very resilient. It works best with liquid paints and inks.

MEDIA

lettering
watercolor

DESCRIPTION AND USAGE

Synthetics are man-made of either nylon or polyester filaments. They can be tapered, tipped, flagged, abraded or etched to increase color carrying ability. Often, synthetic filaments are dyed and baked to make them softer and more absorbent. The common name for this filament is 'Taklon'. Advantages of synthetic brushes are: 1) They are less prone to damage from solvents, insects or paints. 2) They are easier to keep clean than animal hair brushes because the filaments don't have animal scale structures to trap paint. 3) They are less prone to breakage and are durable on many different surfaces. 4) They are better suited for painting with acrylics because a synthetic filament will withstand the caustic nature of acrylic paints with less damage.

MEDIA

all